It’s strongly recommended to compare different receivers if you want to choose the best one: Marantz CINEMA 50 vs Yamaha R-N600A.
The number of channels for receivers is different - 9.4 versus 2.1, respectively, for devices. In terms of power, there are differences, the CINEMA 50 has such a ratio W/Ohm - 110/8, 150/6, while the R-N600A has a power of 80/8, 60/6. The value of total harmonic distortion is also different, and for the CINEMA 50 it is 0.08%, but for the R-N600A it is 0.07%.
Competitive models use the same DAC. Each of the compared opponents supports Bi-amping. Both Marantz CINEMA 50 and Yamaha R-N600A can transmit an audio signal directly to the amplifier and bypasses any DSP processing.
These units have the same Wi-Fi modules. Each of the receivers has a Bluetooth connector. Both devices can work with such Apple Music services: AirPlay, AirPlay 2. Access to the Spotify service is on each of the competitors. Most popular streaming services are available for our models under consideration - Deezer, TIDAL, Pandora, SiriusXM, Napster, SoundCloud, Amazon Music, Amazon Music HD, MOOD:Mix. HDMI signal transmission in standby mode can provide only the CINEMA 50. Video scaling is only possible with the CINEMA 50. Operation with the Dolby Vision is only possible with the CINEMA 50. HDMI Audio Return Channel is only available on Marantz CINEMA 50. HDMI eARC is only supported by the CINEMA 50. When comparing receivers, it becomes clear that only the Marantz CINEMA 50 has HDMI CEC. Like most receivers, our models have a built-in phono stage for connecting a vinyl player. Voice control is performed using Amazon Alexa, Google Assistant, Siri, Josh.AI in both models. There is an ECO mode in either AV receiver. The Marantz CINEMA 50 and the Yamaha R-N600A can be properly configured using the setup assistant.
A Dolby Atmos multichannel audio format is available only in the CINEMA 50. Only in the CINEMA 50 realized a DTS:X surround technology.