The Sony STR-DH790 vs Marantz SR5013 comparison proves that these receivers have many common features.
Considered AV receivers have the same number of channels 7.2. Regarding power, then STR-DH790 has such a W/Ohm ratio - 90/6 when SR5013 has a power of 100/8, 140/6. The THD is 0.09% for the STR-DH790 but 0.08% for the SR5013.
Characteristics of digital to analog converter (DAC) are different, 192 KHz/24-bit for STR-DH790 and AKM 384 KHz/32-bit for the SR5013. Both the STR-DH790 and the SR5013 support Bi-amping. Each of the AV receivers can transmit an audio signal directly to the amplifier and bypasses any DSP processing. Rivals from our review have Bluetooth support. Only the SR5013 supports Spotify.
Both AV receivers support HDR10 technology (High dynamic range). Compared AV receivers retain the quality of 4K/60Hz signal when transmitting from a source to a TV or projector. HDMI signal transmission in standby mode is implemented in each of the devices. The SR5013 can scale the input HDMI signal, unlike the STR-DH790. The HDR standard - Dolby Vision is supported by these receivers.
The Sony STR-DH790 has 4/1 HDMI inputs/outputs versus 8/2 HDMI connectors of the Marantz SR5013. The HDMI Audio Return Channel (ARC) feature supports both devices. The HDMI eARC is available only on the STR-DH790. The Consumer Electronics Control (CEC) feature is present in most modern AV receivers and the models in our comparison are no exception. Both models support the standard HDCP 2.2. The SR5013 has a built-in phono stage for connecting a vinyl player. An ECO mode is only available for the SR5013. Both STR-DH790 and SR5013 can be configured using the Setup assistant.
Both devices have support for Dolby Atmos multichannel audio format. The surround sound technology DTS:X is supported by devices under review.